People enjoy reading. As a result of bookshops returning steadily after a temporary pause during COVID, individuals are eager to experience some of the best mystery, thriller, and horror books in the literary world.
This is evident in book sales data, which have drastically climbed, according to the Guardian. In late June and early July, book sales topped 3,8 million and generated over £32 million.
Despite the fact that all genres have sold well, some have experienced greater success. In the last two weeks of June, crime, thriller, and horror books outsold general and children’s fiction by an additional 120,000 copies compared to the same period in 2018.
In early May, adults spent an additional 2.7 hours a week reading. All bibliophiles should embrace this. People desire to spend more time reading mystery and horror novels, perhaps due to leisure, and this should be embraced.
But why have horror authors and thriller fiction, in general, been so successful? The answer is: Readers desire to be intrigued and astonished. Mystery/Thriller is popular because a lot of time goes into shaping its characters. Over the years, readers have liked scary stories to tell in the dark.
It needs to be kept in mind that certain nonfiction genres necessitate in-depth, intense reading. Similarly, literary fiction is defined not by a formula but by the language and creative techniques employed.
Thriller fiction, however, is distinctive. Although careful attention to language is required, the formula is more familiar and usual. There must be a death. A detective investigates the incident. A criminal must be identified. Clever plotting must be done. Amazing crime and horror authors are formed by their ability to work within these constraints to create the best horror books for teens.
Clever plotting includes clever clues, red herrings, and eventual justice, although this appears unattainable at times.
People frequently utilize fiction as an escape from the harsh reality of their own lives, yet horror novels and mystery fiction contradict this notion. It examines the harsh life humans can lead as a result of murder and suffering but does it in a manner that is representative to readers. It forces readers to confront hard and unpleasant themes, from which they can escape by closing the book.
Various novelists argue that scary books and mystery writing sell well because they prioritized ‘pleasure and amusement’ for readers and ensured a ‘compelling plot.’ Readers appreciate piecing together disparate concepts and deciphering cryptic clues to identify murderers, which is usually the case in horror books for teens.
One of the aspects of horror novels is that if heinous crimes had been perpetrated, the perpetrators might be brought to justice through revenge and punishment.
As with the best literature, it allows readers to temporarily forget about their daily troubles. There may be an element of Schadenfreude within the genre, in which readers take pleasure in the misfortune of others. This results in something very brilliant.
Clever scheming in horror novels includes crafty clues, red herrings, and final justice, even if this seems unattainable at times. And implicitly concealed within these tales is the fact that, for a large number of people, these occurrences are true. What appears to the uninformed reader to be fantastical fiction may soon become a reality? Why are mystery and horror novels so popular? That is not at all mysterious.